Shakespeare has built the character of Iago from an idea already existing in the theatrical culture of his time: Othello and others in the play constantly refer to him as "honest Iago. He cares for no one, yet he devotes his whole life to revenge rather than walk away in disdain. Iago in this play, has the qualities of the Devil in medieval and Renaissance morality plays: Alternatively he might be a man who used to be honest in the past, but has decided to abandon this virtue.
Quick in motion as in thought; lithe and sinuous as a snake. Sinai, and Moses asks God his name. Be genial, sometimes jovial, always gentlemanly. Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself.
He is quite or nearly indifferent to his own fate as to that of others; he runs all risks for a trifling and doubtful advantage, and is himself the dupe and victim of ruling passion — an insatiable craving after action of the most difficult and dangerous kind. But for all this, as his plot against Othello starts moving and gathering momentum, he loses control of it and must take real risks to prevent it from crashing.
Iago has a reputation for honesty, for reliability and direct speaking. In Exodus, God gives his laws to Moses on Mt. Iago is the opposite of God, that is, he is the Devil.
He treats others as fools and has no time for tender emotion, yet he is a married man and presumably once loved his wife. Iago does all this not for any good reason, but for love of evil. In Iago, Shakespeare shows us a character who acts against his reputation.
He likes to have others unwittingly working to serve his purposes. Iago is surrounded with bitter irony: He claims a reputation for honesty and plain speaking, yet he invents elaborate lies in order to exploit and manipulate other people.
Possibly Iago was always a villain and confidence trickster who set up a false reputation for honesty, but how can one set up a reputation for honesty except by being consistently honest over a long period of time? Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life.
Each thing Iago says is cause for worry.Shakespeare has built the character of Iago from an idea already existing in the theatrical culture of his time: the Devil in religious morality plays, which developed into the villain in Elizabethan drama and tragedy.
A summary of Themes in William Shakespeare's Othello.
Learn exactly what happened in this chapter, scene, or section of Othello and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
The basic purpose of the study is the character analysis of Othello and Iago in the play Othello by William ultimedescente.comgh Othello has regularly been praised as William Shakespeare’s most cohesive tragedy, many critics have discovered the primary person, Othello, to be the most.
In Act 2, Scene 1 of Othello, Iago formulates his plan to drive Othello mad. Shakespeare shifts the action from Venice to Cyprus. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety.
Iago is the antagonist in the play Othello by William Shakespeare. He is a manipulative man who develops a plan to destroy the lives of those he feels have wronged him.
Shakespeare's 'Othello': An Analysis of Iago's Character Words Jan 7th, 8 Pages This idea is evident in Iago's traits and motivations, his interactions with others, his use of language and the use of others' language concerning him.Download